Product launches, dealer enablement, trade shows, and training — produced by a crew that already speaks heavy equipment, so nobody has to explain the machine to the camera team.
A walkthrough of how we work with manufacturers — what a shoot day covers, how fast it comes back, and what you end up owning.
You are not selling a sneaker. You are selling a machine that takes an engineer twenty minutes to explain — and most agencies never get past the paint.
We do not make videos for video’s sake. We build content around a real problem in your business — launching the product, arming the dealers, owning the show floor — then put it to work.
Strategy, production, and distribution — from the shop floor to the social feed.
Most agencies hand you a final cut and keep the rest. We hand you everything — every video, every photo, every clip, tagged, searchable, and yours to keep. Your team finds the shot they need in 30 seconds, not 30 minutes.
From the first call to content that's working for you, you'll always know exactly what happens next.
Hiring a video partner shouldn’t feel like a gamble. So we took the three things you’re probably weighing off the table.
BOMAG is a global leader in compaction technology and road-construction equipment — big, visual machines that a brochure or a flyer can’t do justice.
That is the reason most of our OEM clients hired us. We have produced for BOMAG, LeeBoy, Dynapac, Chicago Pneumatic, ZEISS, Xylem, and BrandSafway — compaction, paving, pneumatics, metrology, and access. Abigail Helm at Chicago Pneumatic put it this way: “Our equipment is really big, really complicated, and it’s often hard for other agencies to understand. So knowing they’ve worked with this kind of machinery before made me understand that, yeah, they can take on the challenge.”
Yes — that is how we work. Launches get scoped backward from the announcement date: hero video, walkaround, how-to, animation for anything the camera cannot reach, and the social cutdown set. With LeeBoy we launched four new products in a single year alongside ConExpo coverage.
Walkarounds, demos, and end-user testimonials your channel can forward to a customer without asking marketing for permission. Everything lands in a tagged, searchable library your dealers and sales team can pull from directly.
We shoot and edit on the floor and post the same day, so the content lands while the show is still happening. Kristi Harris at LeeBoy: “We’re able to continue to stay on the floor while they’re in the background posting all of the content.” BrandSafway credits the ConExpo coverage with roughly twelve times their investment.
OSHA 10 certified crew, FAA Part 107 licensed drone pilots, and our own PPE on every visit. We brief with your EHS lead, respect restricted areas and photography rules, and shoot around the line instead of stopping it.
First cut within 3–5 business days on most projects. One-off projects include two rounds of revisions per deliverable; monthly partners get unlimited revisions. If something missed the brief we agreed to, that is on us to fix and it does not count against your rounds.
You own everything — every final video, every photo, and all the raw assets, tagged and searchable, yours to keep. After the initial scope, monthly partnerships are month-to-month. You stay because it is working.
We price the problem, not a rate card. Three things drive the scope: how many production days you need, how many deliverables come out of each one, and how often we are on site — a launch push, a show calendar, or an ongoing monthly program. Travel and accommodations are built in, so there are no variable travel costs and no change-order games. On the strategy call we scope it against your goals and put a flat number in writing before you commit to anything.